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He’s less character than spooky gimmick, but a chilling one nonetheless. Above all, the greatest effect of “It” involves Pennywise himself, with Skarsgård taunting and wiggling his eyebrows whenever the occasion calls for it. Each member of the Losers Club encounters Pennywise in a different form corresponding to their individual fears, from Beverly’s “Carrie”-like encounter with blood bursting from a sinkhole to the gooey leper that chases Eddie through a yard, and these encounters stand out as masterstrokes of cinematic shock effects. While the effects stand out as markedly contemporary - Pennywise emerging, larger-than-life, from a projector and the astonishing visual of floating bodies that fill his underground lair chief among them - the most effective, unnerving aspects of the movie require no 21st century polish. With the setting upgraded from the ’50s to the ’80s, with “Gremlins” posters adorning bedroom walls and New Kids on the Block references bleeding into the soundtrack, “It” doesn’t just take place in the confines of a novel written during King’s peak creative output it may as well have been made then. Still, Beverly winds up being one of several ways in which “It” maintains an antiquated vibe. There’s also Mike (Chosen Jacobs), another target of bullying who may be a victim of racism, though the film never acknowledges as much. Bill, who copes with a stutter, and neighborhood bully Henry (Nicholas Hamilton, a crude caricature), hang out with neurotic bar mitzvah kid Stan (Wyatt Oleff), pampered Eddie (Jack Dylan Grazer), and foul-mouthed Richie (“Stranger Things” star Finn Wolfhard, ostensibly playing a variation on that show’s same scrawny whippersnapper). The mysterious event leaves his older brother Bill (Jaeden Lieberher) reeling from guilt a year later, catapulting him on a journey for answers with his posse in tow. The iconic plight of “The Losers Club,” the self-titled group of outcasts who realize the Pennywise has quietly murdered locals and preyed on their fears for decades while keeping most adults under its spell, unfolds much as the novel - even as it simplifies its appeal with jump scares.Ĭreepiness comes hard and fast: Pennywise (Bill Skarsgård, alternately snarling and cooing in a variation of Curry’s take on the role) pops up in a shadowy sewer entrance to mutilate and kill young Georgie (Jackson Robert Scott) in a rainstorm. That’s not to say horror junkies won’t get their fix: littered with beautiful imagery, absorbing soundscapes, and adorable pre-teens facing unspeakable terror, “It” is Stephen King crack. 'Sanctuary' Review: Margaret Qualley Is a Very Unpredictable DominatrixĢ023 Oscars: Best Supporting Actress PredictionsĪustin Butler and Bill Nighy Hope to Land Their First Oscar Nods
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'Moving On' Review: Jane Fonda and Lily Tomlin Serve Revenge Lukewarm Director Andrés Muschietti pulls off that task by being slavishly committed to the source material and the resulting two-and-a-half hour horror-adventure saga winds up a serviceable adaptation and nothing more.
Stephen king it full movie 2017 reddit tv#
Setting aside that King’s novel already received one lengthy adaptation as a TV miniseries in 1990 with Tim Curry in the iconic role of Pennywise the clown, “It” must push beyond the familiarity of its tale to make the appeal new again. Its impact on the horror landscape is incalculable, reverberating in contemporary genre successes ranging from “The Babadook” to “Stranger Things.”Īll of which makes a 2017 feature-length version into a tricky proposition. For decades, “It” has been the paradigm for stories about geeky kids who face terrifying threats and become grown-ups in the process. Stephen King’s sprawling 1986 novel “It” is a good place to start: In small-town Maine, a murderous shapeshifting clown faces down a group of adolescents who return as adults to finish the job years later. Supernatural coming-of-age stories, particularly those set in the ’80s, have become so entrenched in popular culture that it’s easy to forget where they came from.