The Batman and Its Expanded Universe Landing on HBO Max SoonĪ Real-Life Spiderman Panel Sells For a Record $3. $2 Million Auction Estimate For Batman’s 1986 Dark Knight 'SUNFLOWER' is the first single from the official soundtrack album Spider-Man: Into the Spider-Verse.
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Marvel’ – The MCU’s Biggest Hit on Disney Plus Yet I love both the film and soundtrack, so I decided to put this quick edit together. Will Yu Yu Hakosho Be a Netflix Live-Action Anime Flop? History Says ‘Yes’ Read More: Marvel’s Hawkeye Hits the Mark on Disney Plus Further down the road, there’s a female-focused spin-off film in development. Only delayed by five months, Spider-Man: Across the Spider-Verse (Part One) has an Oct. How many are still at work on finishing the film is not known at the moment, but the studio allotted the same $90 million to bring the second tale to life.Īnimation work began in 2020 and creators kept at it through the pandemic. According to a Sony ‘making-of’ film, this required up to 177 animators, the largest animation crew that Sony Pictures Imageworks had ever used.
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In the first film, animators adapted 70-year old art techniques to the digital realm to accomplish a movie made by computers that still looked like a comic book.
The Across the Universe original screenplay, co-created by Lord, Miller, and David Callaham, is highlighted again by a motley Spidey-team, emphasizing the developing relationship between Morales and Gwen Stacy’s Spider-Woman. Sony began developing Across the Spider-Verse before Into the Spider-Verse’s 2018 release with the same writing and directing team. Spiderman comic artists who populated the many versions of the web-slinger in Into the Spider-Verse actually never stopped working between films. The less than two-and-a-half-minute scene does suggest a sequel that will still lean heavily on non-stop action, sci-fi conceits, one-liners, and a multitude of animation styles to capture that sensation of getting absorbed in a comic book - film writer/producer Phil Lord and producer Chris Miller’s original intention. While we get a nice little hint, Sony has not revealed who the new villain might be. If anything, it seems like the filmmakers used Across the Spider-Verse to level up an already stellar story. Animation styles flash from nostalgic into the quantum before landing in a fight with Spider-Man 2099 ( (voiced by Oscar Isaac in the first film’s hilarious post-credit scene). The preview pulls the audience right back into the stunning graphic world of the reluctant new web-slinger. Sony’s synopsis tells us that this portal will “transport Brooklyn’s full-time, friendly neighborhood Spider-Man across the Multiverse to join forces with Gwen Stacy and a new team of Spider-People to face off with a villain more powerful than anything they have ever encountered.” Turns out Spidey-pal Gwen Stacey (Shameik Moore) is back to goad the reluctant superhero into joining her across spacetime. Miles is lost in Sunflower while food, stuffed animals, and comic books float above his head as a portal opens. The new preview for Spider-Man: Across the Spider-Verse, Part One begins right where 2018’s Into the Spider-Verse ended: A slow-opening scene onto new Spider-Man Miles Morales bobbing his head to Post Malone and Swae Lee’s 2019 banger, Sunflower, the duo’s hit soundtrack single for the film. It's simply a stylishly exciting and refreshingly unique take on the superhero genre, and sometimes that's more than enough.Share New Spider-Man Mile Morales has no idea Spider-pal Gwen Stacy is opening a portal for a visit right above his head. It looks great, the humor pops with surprises, the voice casting is beyond perfect. Look, I don't have any sort of hot take on this movie. Being Spider-Man wasn't his idea, but hey, when a radioactive spider gives you powers, what choice do you have? He fights with his cop dad, he adores his shady uncle, hates being simply the smartest kid in the room, and just wants to do something that matters. At the center though is Miles Morales, an Afro-Hispanic Brooklyn teen who must help these other Spider-People get back to their own planes of existence. There's also a Spider-Woman, a Noir Spider-Man, an anime Spider-Girl/Robot, and a Spider-Pig. "How could we possibly need another Spider-Man movie?" Spider-Verse understands that question and has a take on it. Spider-Verse gets to do just that, while playfully taking on the fun (if convoluted) absurdity of extended superhero universes.
However, they also have something modern movies haven't really tapped into yet: story one-offs, a chance for a storyteller to create a unique tale and not be constrained by the implications on or from the larger universe. Currently, film studios are all about the "extended universe", seeing how many different titles and characters they can shove into one franchise (Avengers, X-Men, Justice League), making for an easy way to squeeze a few extra bucks out of their lesser known properties. The worlds of superhero movies and superhero comics are not as similar as they seem on the surface.